Composition and Redaction of the Hymnographic Text Hectographed Singing Obikhod by D. V. Batov
https://doi.org/10.20913/script-2024-1-08
Abstract
The object of consideration in this article is the singing Obikhod znamenny notation, published at the turn of the 19th–20th centuries by the famous Old Believer publisher, polemicist, polemicist, apologist for his consent, mentor of the Novopomorsky community in Tula D. V. Batov. It is of interest not only as the first experience of printing znamenny books by the non-priest movement Old Believers, but also as a musical monument of the still insufficiently studied late stage of the evolution of ancient Russian musical culture. Obikhod, like other hectographed publications by D. V. Batov, have a number of features, one of which is the novoistinnorechnay (now true speech) edition of the hymnographic text, which was not the universally accepted result of a long process of reforming liturgical singing among representatives of the Pomorian and Fedoseyan communities. The second feature directly related to the Obikhod was its division into two independent books: “The Obikhod of Znamenny Hymns” and “Znamenny Hymns of the Triodion and the Penticostarion”.
About the Author
T. G. Kazantseva
State Public Scientific Technological Library of the Siberian Branch of the Russian Academy of Sciences; Glinka Novosibirsk State Conservatory
Russian Federation
Russian Federation
Tatiana G. Kazantseva, Candidate of Arts, Senior Researcher
15 Voskhod St., Novosibirsk, 630102
31 Sovetskaya St., Novosibirsk, 630099
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Review
For citations:
Kazantseva T.G. Composition and Redaction of the Hymnographic Text Hectographed Singing Obikhod by D. V. Batov. Scriptorium slavicum. 2024;(1):97-113. (In Russ.) https://doi.org/10.20913/script-2024-1-08
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