scrislaScriptorium slavicumScriptorium slavicum3034-4913ГПНТБ СО РАН10.20913/script-2025-1-07scrisla-50Research ArticleЛИНГВИСТИЧЕСКОЕ ИСТОЧНИКОВЕДЕНИЕLINGUISTIC SOURCE STUDIESПоиск и обретение: топос книги как артефакта в переводческих паратекстах европейского СредневековьяSearch and Finding: Topos of the Book as an Artifact in Translation Paratexts of the European Middle Ageshttps://orcid.org/0000-0001-8300-6691СоломоновскаяА. Л.SolomonovskayaA. L.

Анна Леонидовна Соломоновская, кандидат филологических наук, доцент, заведующий кафедрой межкультурной коммуникации, Гуманитарный институт

ул. Пирогова, 1, Новосибирск, 630090

Anna L. Solomonovskaya, Candidate of Philology, Associate Professor, Head of Department of Intercultural Communication, Institute for the Humanities

1 Pirogova St., Novosibirsk, 630090

a.solomonovskaia@g.nsu.ruНовосибирский государственный университетРоссияNovosibirsk State UniversityRussian Federation2025210120260196111Copyright © Соломоновская А.Л., 20262026Соломоновская А.Л.Solomonovskaya A.L.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://scrisla.gpntbsib.ru/jour/article/view/50

Средневековые переводческие паратексты (в частности, предисловия или послесловия) представляют собой богатый материал для изучения. В них сочетаются реальные биографические сведения и сконструированный из нескольких топосов «идеальный образ» переводчика или книжника в целом. Статья посвящена нескольким таким мотивам, в той или иной степени связанным с translatio studii, то есть с распространением знания и учености и перемещением артефактов-­источников этого знания (книг) и его потенциальных носителей (книжников, переводчиков) в поисках манускрипта. Поскольку в средневековой культуре важнейшим фактором, обеспечивающим престижность и аутентичность текста, был его древний источник, одним из распространенных мотивов был топос «случайной находки» древней и неизвестной до того момента книги. Трудолюбие и преданность делу переводчика подчеркивались мотивом долгого и утомительного поиска, преодоления разных трудностей в стремлении отыскать источник, известный ему лишь понаслышке. Из переводческих паратекстов мы также узнаем о том, какими путями та или иная книга (часто представляющая не только духовную, но и материальную ценность) могла попасть в новую культуру, в том числе в качестве военного трофея или дипломатического подарка. Предисловия или послесловия переводчика могут свидетельствовать об отношении книжника к книге как к материальному предмету и о его заботе о сохранности и распространении своего перевода.

Medieval translators’ paratexts (prefaces-­ prologues and postfaces-­epilogues in particular) provide abundant study research materials for philologists and linguists. They contain both true biographical evidence and an image of an “ideal” translator or scholar constructed from several topoi (loci communes). The article deals with several motifs (topoi) extracted from translators’ paratexts and related to translatio studii in its original and corporeal meaning, namely physical transfer of artefacts (books, scrolls) bearing the knowledge sought by the scholars and the travel of the latter in search of the artefacts. As medieval culture considered the antiquity of a book to be a significant factor of its prestige and authenticity, an “accidental discovery” of an ancient and unknown book topos (motif) was quite common in translators’ paratexts. Another topos, which emphasized the dedication and diligence of a scholar, was a motif of a long and tiresome search, which implied overcoming various obstacles and facing dangers by the scholar (translator), who was trying to find a book he had heard about and was eager to obtain and make accessible to others. Translators’ prologues and epilogues, as well as marginal glosses in the book itself, also give information about other ways a manuscript (an expensive and often richly adorned artefact) could find itself in a new culture, such as being a war trophy or a diplomatic gift. Translators’ paratexts also provide us with evidence of scholars’ attitude to and handling of their books as artefacts and their concern about the preservation and propagation of their work.

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The authors declare that there are no conflicts of interest present.